Okay, this is a critique about Someone Who Got it Mostly Right, a rare breed, and even more surprising to find it coming in the form of a white man (that doesn't make it better, only more surprising.) George R R Martin's A Song of Ice and Fire.
Wow, I love these books. I used to like Robert Jordan (THERE'S a subject for critique, if I ever feel like pushing myself into depression) when I was in middle school, but as I have gone from annoying and immature to more confident in myself and a better thinker, so has my taste gone from immature to actual quality. This is epic fantasy as it should be done.
And the women! Oh, a fantasy wife that is neither unrealistically allowed to run the house nor without value in the house! Women, portrayed as real people! Oppression and misogyny that is not glossed over! Oh glory! A tomboy who is a real person! A girly girl who is a real person! With character arcs and everything!
Sudden thought: Why do I have to be grateful for that which should be ubiquitous? Shit, there goes my emotional high. My points of contention:
Cersei is a feminist. In fact, she is the only feminist character. She reminds me of Beatrice from Much Ado About Nothing--"O, that I were a man!" She is also the least likable of the POV characters. Her portrayal is a little condescending--does she have to be quite so clueless about what's going on around her? I mean, can we cut this woman some slack? The book appears to frown on her sleeping with others, but I don't see what was so great for her about sex with Jaime. I mean, I do, but at the same time both times we saw them having sex it was Jaime sexually assaulting Cersei. No means no, Kingslayer. But my point is that portraying the only feminist as unlikable, cheating, clueless, vain, cruel, and so on--well, it's not very nice. And it's not very representative.
Two lesbian interactions. Dany and her handmaid...for Dany it was portrayed as happening because she needed a man but didn't have one. Lesbianism as temporary, not serious, to be replaced by heterosexual interactions. Cersei and Taena was all about Cersei wishing she were a man. Lesbianism again as poor substitute for someone who just really wants a penis, whether to possess it or to be penetrated by it. Not cool, my man.
Okay, I get that rape is a fact of life, and I get that refusing to name rape or talk about rape minimizes the problem. But at some point it just starts to get upsetting. You need a big fat trigger warning on your books or something, because dude, I was triggered. More than once. As in, need to put the book down, stare at nothing for half an hour, freak out, trying to escape from my memories, finding it necessary to tell myself over and over again that it didn't really happen in order to calm down. Please consider that many people may have such reactions to rape in your books.
Maybe you should think about whether so much rape is really necessary for your vision. It didn't at first, but now that it just keeps happening again and again and just won't stop it sort of reminds me of Terry Goodkind. Or even Robert Jordan and his penchant for getting his characters into BDSM situations. I'm leaning toward gratuitous. It's definitely really, really scary.
I'm worried about Brienne and how you're going to deal with her. Her thoughts seem to turn to Jaime a lot more often than his thoughts turn to her. Please don't let Jaime become her whole motivation. Let there be give and take in this budding relationship. Jaime has a much stronger sense of self and is far less romantic than Sansa; he should be able to see past Brienne's looks.
Melisandre. She wears red. She's beautiful. She's an evil witch and (given what Maester Aemon said) stupid too. She has too much power over her man. She's a very irresponsible character for you to have made. Very stereotypical, no sympathy at all. Really. "Hopefully this honest, simple, pulled-himself-up-by-the-bootstraps dude will be able to slay the beast!" Davos's character, though I like him, reeks of unexamined privilege. The beautiful women as evil temptresses is something I would expect from, say, Genesis, not you.
Lord Tywin's dead wife. She is portrayed as a nice, dutiful woman who literally lived and died only to give life to her children and lend Tywin some pathos. She reminds me all too forcefully of the Disney trope that the best mother is a dead mother. (Cinderella, anyone?) Knock it the hell off.
Thank you for your time.
Showing posts with label books. Show all posts
Showing posts with label books. Show all posts
Sunday, July 6, 2008
Harry Potter: Hermione Granger
I'll start with the one thing that everyone in the world is most likely to be familiar with*: Harry Potter. Or rather, since the thing is such a behemoth, Hermione Granger.
What's up with Hermione Granger? She's such an awesome character. She's smart, of course, and earnest, and is quick on her feet, and dedicated, and honorable and loyal and good. She can be a little insensitive, a little too serious, but who doesn't have flaws? She's just a great person, you know?
So why does the text shortchange her so?
Let's start with the fact that she's consistently described as "shrieking" "squealing" "shrill" "wailing" and other negative gendered terms historically used to put down women who won't shut up. Her dialogue when you look at it isn't really so annoying, but colored by those terms it does seem to put a damper on your interpretation of it. (Just one of the many reasons why I want to go back and replace all her "'dialogue,' character [word for said that isn't ever said, except when it's modified by an adverb]" with "'dialogue,' character said.")
I pity Hermione. She is a strong female character, but she is isolated from other strong female characters. The closest to a female friend that she has is Ginny, and that friendship doesn't really seem to occur until maybe the fifth book. Even then, she is never seen talking with Ginny (except in those annoyingly frequent "whispering with Ginny and Mrs. Weasley scenes). She only recounts the conversations that she has after the fact, filtered for Harry's and Ron's consumption. Does she really only have Harry and Ron to talk to? Especially given the portrayal of shallow Parvati, Lavender, and Pansy, and the indistinguishable Angelina, Alicia and Katie, Hermione seems like an exception to a rule of weak female characters.
I mean, wouldn't it be nice to meet her mother? A girl like Hermione, so unafraid to be smart and so uncompromising in her values, must have a heck of a strong female role model. We know Harry's parents, living and dead, quite well. We spend an inordinate amount of time at Harry's house. Why, then, have Hermione's parents been reduced to nothing? We see them only a few times, mute, in Diagon Alley, without personality. Couldn't Harry have gone to Hermione's house? Couldn't they have exchanged a few lines of dialogue? Given how important the parent/child relationship is in Harry Potter, depriving Hermione of her relationship with hers seems unfair.
A second female opinion would certainly be nice sometimes. Harry and Ron are very good-hearted, of course, but they can be just as insensitive as she ever is. It would also be nice to have her accusations of sexism be validated. In Half-Blood Prince, I was so frustrated with the whole "I can tell the Prince is a he" thing. Hermione made the perfectly reasonable point that, because Prince might be a last name, the Prince might be a woman. Harry countered with "no it can't, because I just know." This absolutely ridiculous argument was then of course validated by the text, making Hermione's accusation that Harry was being sexist seem laughable, even though it really wasn't.
Ah, poor Hermione. No family, no female friends, and a true love who thinks that she belongs to him. Really. Ron's jealous possessiveness of Hermione's sexuality, which, though a forgivable flaw of a deeply insecure boy, was still a flaw, was unevenly treated, made fun of by the text or validated by it. (Ron's jealous possessiveness of Ginny's sexuality, by the way, is not a forgivable flaw, in addition to being deeply disturbing.)
With the Yule Brawl, happily, Ron's actions were not portrayed sympathetically. ("missed the point.") The whole storyline was of course pretty unbelievable and a little unsettling. Viktor Krum, 18 year old Quidditch God, stalks 14 year old gangly Hermione who, though she is an awesome character deserving of love, Krum doesn't even know? Especially when in the seventh book it was pretty much confirmed that he was a bit shallow ("all the good-looking girls are taken" echoes of Yule Ball Ron). I don't know, it seemed pretty off too me. At least Hermione was portrayed as being allowed to do that.
But take for example the sixth book. Cormac McLaggen. At Slugworth's little party, Harry meets Hermione and notices that she looks disheveled. What's going on, he asks. "Cormac McLaggen makes Grawp look like a gentleman," she says. Given that Grawp recently tried to snatch Hermione (another scene with very disturbing sexual subtext), from which she must be protected by Harry and because of which she is reduced to shaking and whimpering with fear, you'd think Harry's response would be one of concern or at least sympathy.
No. It's "Serves you right." Excuse me? Hermione just used the word "escape" to describe getting away from this punk who apparently is more unpleasantly sexually aggressive than a giant, and Harry says "serves you right." For what? Going out on a date? I'm sorry, does she belong to Ron now? She made a petty choice, yes, but it was a choice she had a right to make and it certainly does not justify unwanted sexual aggression (the word I'm looking for here is "assault.") That the text does not pass judgment on Harry's nasty comment shows complacence with it.
And in the seventh book the subtext grows ever more upsetting. Fenrir Greyback? For God's sake, does the man want to bite her or rape her? Hell, that's not even subtext. That's Hermione being threatened with rape by this man-beast and Ron being all "no! my pretty lady!" Note that while Harry's skin crawled, he did not attempt to struggle when he heard Fenrir assaulting Hermione. That job was reserved for the man who possesses her sexuality. That whole thing with Bellatrix the She-Devil torturing Hermione the Virgin while Ron the Knight cries her name stank equally of possession. Especially given the way her recovery was portrayed, basically with Ron protecting her like aargh why.
My point is that a lot of those scenes and comments were pretty gratuitous and reveal some kind of disturbing things about Rowling's psyche. There were a thousand little mentions of Hermione's vulnerable sexuality, from the men catcalling on Tottenham Court Road, to "counted as chivalrous that he was not asking Hermione to do it for him," to Ron insisting that Hermione sleep on the cushions and all the other instances I've mentioned in this leviathan post. The one that stand out most in my mind, FWIW, is seriously Harry having to pull Hermione away from Grawp. Note that none of these examples were at all relevant to any sort of larger story or point. They were just there, and they piss me off.
Another subtle little example of this that really got to me, by the way, was when they were at Bill and Fleur's house and even though the three had just been spending like MONTHS sleeping in the same room with no mention of any problems or issues, it seemed like a big deal was made of the fact that Hermione and Luna were sharing a room, like oh better protect their chastity. Not really a big offense in the scheme of things, but really.
And finally, Hermione's life as an adult. What was up with that epilogue? I mean, I know that the epilogue was pretty much bad news in every way, but was there even one single mention of Hermione's career? What did she decide to do? Healing? Did she do something big with SPEW? No, of course not, she got married and had children. Every woman's happy ending. That bugged me enough when it happened to Fleur (she was a Triwizard champion, and now what, she spends all her time making breakfast trays) but when it happened to Hermione it was even worse.
To be fair, it happened to all of them. Seems like to Rowling a happy ending seriously consists of marriage and children. It just makes me mad because in the Harry Potter universe, when a man and a woman get married, the woman stays home and now has no life outside her husband and children. (For your consideration: Petunia, Narcissa, Molly Weasley, Fleur, Tonks. Contrast with McGonagall, Umbridge, Bellatrix and Rita Skeeter, and also notice how all of the women in the first list are sympathetic even when not really nice, whereas the second list, with the exception of McGonagall, represent the most loathable characters in the series.)
So in summary: Hermione, though a likable character, has her independence, personality and sympathy consistently undermined by negative portrayals of her as a female, isolation from other women, and gratuitous disturbing scenes involving her sexuality.
*Okay, that's actually probably the Bible. So sue me.
What's up with Hermione Granger? She's such an awesome character. She's smart, of course, and earnest, and is quick on her feet, and dedicated, and honorable and loyal and good. She can be a little insensitive, a little too serious, but who doesn't have flaws? She's just a great person, you know?
So why does the text shortchange her so?
Let's start with the fact that she's consistently described as "shrieking" "squealing" "shrill" "wailing" and other negative gendered terms historically used to put down women who won't shut up. Her dialogue when you look at it isn't really so annoying, but colored by those terms it does seem to put a damper on your interpretation of it. (Just one of the many reasons why I want to go back and replace all her "'dialogue,' character [word for said that isn't ever said, except when it's modified by an adverb]" with "'dialogue,' character said.")
I pity Hermione. She is a strong female character, but she is isolated from other strong female characters. The closest to a female friend that she has is Ginny, and that friendship doesn't really seem to occur until maybe the fifth book. Even then, she is never seen talking with Ginny (except in those annoyingly frequent "whispering with Ginny and Mrs. Weasley scenes). She only recounts the conversations that she has after the fact, filtered for Harry's and Ron's consumption. Does she really only have Harry and Ron to talk to? Especially given the portrayal of shallow Parvati, Lavender, and Pansy, and the indistinguishable Angelina, Alicia and Katie, Hermione seems like an exception to a rule of weak female characters.
I mean, wouldn't it be nice to meet her mother? A girl like Hermione, so unafraid to be smart and so uncompromising in her values, must have a heck of a strong female role model. We know Harry's parents, living and dead, quite well. We spend an inordinate amount of time at Harry's house. Why, then, have Hermione's parents been reduced to nothing? We see them only a few times, mute, in Diagon Alley, without personality. Couldn't Harry have gone to Hermione's house? Couldn't they have exchanged a few lines of dialogue? Given how important the parent/child relationship is in Harry Potter, depriving Hermione of her relationship with hers seems unfair.
A second female opinion would certainly be nice sometimes. Harry and Ron are very good-hearted, of course, but they can be just as insensitive as she ever is. It would also be nice to have her accusations of sexism be validated. In Half-Blood Prince, I was so frustrated with the whole "I can tell the Prince is a he" thing. Hermione made the perfectly reasonable point that, because Prince might be a last name, the Prince might be a woman. Harry countered with "no it can't, because I just know." This absolutely ridiculous argument was then of course validated by the text, making Hermione's accusation that Harry was being sexist seem laughable, even though it really wasn't.
Ah, poor Hermione. No family, no female friends, and a true love who thinks that she belongs to him. Really. Ron's jealous possessiveness of Hermione's sexuality, which, though a forgivable flaw of a deeply insecure boy, was still a flaw, was unevenly treated, made fun of by the text or validated by it. (Ron's jealous possessiveness of Ginny's sexuality, by the way, is not a forgivable flaw, in addition to being deeply disturbing.)
With the Yule Brawl, happily, Ron's actions were not portrayed sympathetically. ("missed the point.") The whole storyline was of course pretty unbelievable and a little unsettling. Viktor Krum, 18 year old Quidditch God, stalks 14 year old gangly Hermione who, though she is an awesome character deserving of love, Krum doesn't even know? Especially when in the seventh book it was pretty much confirmed that he was a bit shallow ("all the good-looking girls are taken" echoes of Yule Ball Ron). I don't know, it seemed pretty off too me. At least Hermione was portrayed as being allowed to do that.
But take for example the sixth book. Cormac McLaggen. At Slugworth's little party, Harry meets Hermione and notices that she looks disheveled. What's going on, he asks. "Cormac McLaggen makes Grawp look like a gentleman," she says. Given that Grawp recently tried to snatch Hermione (another scene with very disturbing sexual subtext), from which she must be protected by Harry and because of which she is reduced to shaking and whimpering with fear, you'd think Harry's response would be one of concern or at least sympathy.
No. It's "Serves you right." Excuse me? Hermione just used the word "escape" to describe getting away from this punk who apparently is more unpleasantly sexually aggressive than a giant, and Harry says "serves you right." For what? Going out on a date? I'm sorry, does she belong to Ron now? She made a petty choice, yes, but it was a choice she had a right to make and it certainly does not justify unwanted sexual aggression (the word I'm looking for here is "assault.") That the text does not pass judgment on Harry's nasty comment shows complacence with it.
And in the seventh book the subtext grows ever more upsetting. Fenrir Greyback? For God's sake, does the man want to bite her or rape her? Hell, that's not even subtext. That's Hermione being threatened with rape by this man-beast and Ron being all "no! my pretty lady!" Note that while Harry's skin crawled, he did not attempt to struggle when he heard Fenrir assaulting Hermione. That job was reserved for the man who possesses her sexuality. That whole thing with Bellatrix the She-Devil torturing Hermione the Virgin while Ron the Knight cries her name stank equally of possession. Especially given the way her recovery was portrayed, basically with Ron protecting her like aargh why.
My point is that a lot of those scenes and comments were pretty gratuitous and reveal some kind of disturbing things about Rowling's psyche. There were a thousand little mentions of Hermione's vulnerable sexuality, from the men catcalling on Tottenham Court Road, to "counted as chivalrous that he was not asking Hermione to do it for him," to Ron insisting that Hermione sleep on the cushions and all the other instances I've mentioned in this leviathan post. The one that stand out most in my mind, FWIW, is seriously Harry having to pull Hermione away from Grawp. Note that none of these examples were at all relevant to any sort of larger story or point. They were just there, and they piss me off.
Another subtle little example of this that really got to me, by the way, was when they were at Bill and Fleur's house and even though the three had just been spending like MONTHS sleeping in the same room with no mention of any problems or issues, it seemed like a big deal was made of the fact that Hermione and Luna were sharing a room, like oh better protect their chastity. Not really a big offense in the scheme of things, but really.
And finally, Hermione's life as an adult. What was up with that epilogue? I mean, I know that the epilogue was pretty much bad news in every way, but was there even one single mention of Hermione's career? What did she decide to do? Healing? Did she do something big with SPEW? No, of course not, she got married and had children. Every woman's happy ending. That bugged me enough when it happened to Fleur (she was a Triwizard champion, and now what, she spends all her time making breakfast trays) but when it happened to Hermione it was even worse.
To be fair, it happened to all of them. Seems like to Rowling a happy ending seriously consists of marriage and children. It just makes me mad because in the Harry Potter universe, when a man and a woman get married, the woman stays home and now has no life outside her husband and children. (For your consideration: Petunia, Narcissa, Molly Weasley, Fleur, Tonks. Contrast with McGonagall, Umbridge, Bellatrix and Rita Skeeter, and also notice how all of the women in the first list are sympathetic even when not really nice, whereas the second list, with the exception of McGonagall, represent the most loathable characters in the series.)
So in summary: Hermione, though a likable character, has her independence, personality and sympathy consistently undermined by negative portrayals of her as a female, isolation from other women, and gratuitous disturbing scenes involving her sexuality.
*Okay, that's actually probably the Bible. So sue me.
Subscribe to:
Posts (Atom)